By Anote Ajeluorou
FOR a university that does not have a Faculty of Arts or College
of Humanities that offers such courses as English, Literature, Theatre or
Classics, the example of Bells University of Technology, Ota, Ogun State last
Saturday is worthy of commendation and emulation. The university that trains
scientists and engineers in various fields had time for the humanising treat of
a dramatic performance to cap its convocation ceremony.
And the play chosen,
James Ene Henshaw’s This is Our Chance,
is a telling symbol of the bridge education offers out of between stiff-necked,
wrong-headed traditions to progressive modernism. Also instructive is the
message the play has for inter-communal relationships, which only the
enlightenment of education can bring.
The two villages of
Koloro and Udura are embroiled in a conflict resulting from cultural
difference. While the two village heads stand in stiff opposition to protect
their different ways of doing things, their two children (Princess Kudaro of Koloro
and Prince Ndamu of Udura), had met in the city as students and fallen in love.
But confronted as they were with the communal conflict between their two
villages, they then perfect a plan to elope and seek their own happiness in a
faraway place from their feuding villages over irrelevant customs and
traditions that have trapped them in the backwaters of Koloro and Ndura.
A priest foresees
the dark shadows or ill winds soon to blow over Koloro to interrupt Princess
Kudaro (Deborah Olonade) session with the bombastic, verbose village teacher,
Bambulu (Felix Komolafe), who prides himself as some scientist and
innovationist. From his alchemy, he has concocted a vaccine against snake and
insect bites, which he gives to Princess Kudaro. This concoction would prove
most decisive later on. Meanwhile, Bambulu had interrupted Princess Kudaro ranting
to her maid, Ayi (Jumoke Okesipe), about the backwardness of Koloro village,
and how trapped she feels being away from the township she’d schooled. As the
only child, Kudaro feels the burden of being made her to her father’s throne
and forever remaining a prisoner in the jungle that Koloro represents.
But Princess Kudaro
has plans with her lover, the Prince of Ndura, Ndamu (Muyiwa Coker), which she
confesses to her maid, of their plans to elope and be far away from their two
feuding fathers, who are locked in a fierce conflict over what appears
meaningless and unprogressive to the two youngsters. But luck runs out for them
when their plot is found out. To make matters worse, the two lovebirds are not
only caught in the act, they fall prisoners to opposing sides – while Ndura
holds Princess Kudaro prisoner, Koloro holds Princes Ndamu prisoner. At this
point, the play gathers cataclysmic pace.
The die, it appears,
has been cast. War is imminent between the two villages, as elopement and
inter-tribal marriage between the two villages is a forbidden act that attracts
death penalty. Coming from another person might have been forgiven, but not
from the household of the king, as one of the counselors grimly reminds King Damba
(Cornel Igbokwe), Koloro’s village head.
Meanwhile, King
Damba blames teacher Bambulu for corrupting the mind of his daughter in going
against established traditions, principles and customs. For that he reminds
Bambulu in prison. At the same time the battle for the soul of the two villages
is being wagged in Damba’s court. His two senior counselors – Enusi (Makanjuola
Darlington) and Ajugo (Okere Wisdom) - are at each other’s throat, as to
whether tradition should be held more sacred over human life and reason. Ayi,
too, joins the great debate, and is even more eloquent in arguing against the
perils of war and the fruitlessness of the antagonism between the two villages.
They are at it when
Ndura Ambassador (Ayo-Ajayi Tobiloba) first walks into Damboa’s court to
imperially announces the dire fate that awaits Princess Kudaro for violating
the traditions of Ndamu. He leaves with the same aggressive tone to show also
that king of Ndamu, like his Koloro counterpart, does not value the life of his
son in the balance in the name of tradition.
King Damba’s dilemma
is worsened by news of his wife’s death. She’s been ill, but sad events of her
only daughter’s plight in the hands of a foreign, aggressive power and her failure
and inability to prevail upon her husband to avert the impending war between
the two villages become too much for her to bear. Unable to bear what is coming
at them, she succumbs. This devastating news numbs King Damba, who, at the same
time, is facing the charge of weakness for not declaring war soon enough on
Ndamu.
As the tradition he
so stoutly defends demands, he is to die for drinking a hemlock offered by
Enusi. But just when he is to commit the act, Ndamu’s Ambassador walks in with Princess
Kudaro in tow. He then tells the remarkable story of Bambulu’s antidote, which
Princess Kudaro administered to a child when all else had failed to revive a
dying the child. For this singular act of saving the life of a child, king of
Ndamu could not go ahead to execute her; he releases her instead to reunite
with her family.
At this happy turn
of events, Damba is spared death by committing suicide. He releases Prince
Ndura and teacher Bambulu. For his insistence in upholding tradition at the
expense of the king’s daughter’s life, Counselor Enusi is made to drink from his
hemlock so he could taste his own bitter pill. There’s happiness and
celebration in Koloro. Education and progressive thinking have rescued two
villages from age-long bitterness and conflict. The two youngsters are happily
joined in marriage to further seal the newfound peace and harmony between the
two villages.
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