By
Anote Ajeluorou
It
would seem Ibadan is where Nigeria literature currently resides. Last year,
Rotimi Babatunde won the Caine Prize for African Writing (short story) worth
US$10,000. This year, Ibadan-based poet and lawyer, Tade Ipadeola has again won
The Nigerian Prize for Literature 2013 in the poetry category. Ipadeola won
with his collection, The Sahara Testament,
which won ahead of two other shortlisted poetry collections, Port Harcourt-based
Amu Nnadi’s Through the Window of a Sand
Castle and Lagos-based Ogochukwu Promise’s Wild Letters.
Ipadeola will be awarded US$100,000 for
winning Africa’s biggest literary prize and one of the biggest literary prizes
in the world.
In announcing the prize in Lagos, General Manager, External Relations of Nigeria
Liquified Natural Gas (NLNG) company, sponsors of the prize, Dr.
Kudo Eresia-Eke said, “Finally, a winner has emerged for The
Nigeria Prize for Literature, 2013 edition. The Sahara Testaments by Tade
Ipadeola has been adjudged winner of the prestigious prize by
the Panel of Judges led by Prof. Romanus Egudu.
Ipadeola’s The Sahara Testaments beat the other 200
books submitted for the competition this year to emerge winner”.
Eresia-Eke congratulated Nigerian writers for the consistent improvement
in their works, saying the prize was a journey of excellence to help build a
better Nigerian society. By supporting the prize as corporate sponsors,
Eresia-Eke said his company, NLNG, was supporting “excellence so as to
galvanise our nation to the pursuit of excellence. We want the prize to spur
role models and inspire others to pursue and support excellence”.
He commended the judges for bringing their wealth of experience and
knowledge to bear in their task of selecting the best literary work for 2013.
In appraising each of the works, Eresia-Eke said the three-man jury,
headed by Prof. Romanus Egudu and which included Prof. Molara Ogundipe, Dr.
Andrew Ame Aba and International Literary Consultant from Ghana, Prof. Kofi
Anyidoho, “The Judges thought Promise’s Wild Letters to be of
“high human relevance as reflected in her bold treatment of subject-matter such
as the persistent menace of Boko Haram.
Similarly, her poems consistently alert societal leaders on their obligations
to the under-privileged, and a message of hope underscores the collection.
“Of Nnadi’s Through the Window of a Sandcastle, the
judges hold that “The work is presented in elegant, well-crafted language,
depicting contrastive experiences of pain, decay, pleasure and beauty. His work
reflects artistic maturity, seriousness of thought, integrity and
coherence, as well as the effective use of poetic devices such as imagery,
irony and sound”.
Conclusively, Eresia-Eke said, “In arriving at their decision of
Ipadeola’s The Sahara Testaments as winner of this year’s
competition, the judges pointed out that the poet used “the
Sahara as a metonymy for the problems of Africa and, indeed, the whole of
humanity… and the work encompasses vast stores of knowledge in an
encyclopeadic dimension.
“Ipadeola’s use of poetic language demonstrates a striking marriage
of thought and verbal artistry expressed in the blending of sound and sense.
The work is replete with historical, geographical, and literary allusions and
tropes. On the whole, the poet demonstrates an outstanding level of
intellectual exposure and knowledge, language use, and awareness of literature,
which should be beneficial to readers and writers alike.”
By winning this year’s poetry prize, poets across the country will heave
a sigh of relief following the debacle of no-winner declared by the judges in
2009 after it had first been awarded in 2006 to both Pa Gabriel Okara and late
Prof. Ezenwa Ohaeto.
Ipadeola had earlier promised that if he won the prize, he would build a
Poetry Library in honour of Ghanaian poet, Prof. Kofi Awoonor, who was recently
murdered in Kenya by terrorists.
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