By Anote
Ajeluorou
After a
successful 5th season of horning the writing skills of budding Nigerian
writers, Fidelity Bank Plc held a closing ceremony for the 27 young writers it
trained during the month of July in its Fidelity Bank Creative Writing
Workshop, tagged, ‘The Write Way to Greatness’. U.S.-based Nigerian writer and
teacher at Goerge Madison University, Helon Habila led two other female writers
from the U.S. – Aminatta Forna and Sally Keith - in conducting the session.
At the Ocean View Restaurant on
Adetokunbo Ademola Street, Victoria Island, Lagos, venue of the event, the
bank’s Managing Director and CEO, Mr. Reginald Ihejiahi, expressed delight at
the yearly training intervention his bank was making in boosting Nigerian writing
through the workshop. He traced the story of the bank’s intervention to when
award-winning author, Chimamanda Ngozi Adichie, started the workshop, which he
said had grown to where it was, with Habila effectively taking over and
sustaining it ever since.
Although Ihejiahi said he did not know
the direction the workshop would take at inception, he nevertheless, argued
that the success of the training workshop for writers was partly due to Habila,
who had stayed focused on the idea. He described the three writers for this
year’s workshop as a team of accomplished and dedicated writers, who had made a
name for themselves in writing.
While addressing the gathering of newly
trained writers and other accomplished writers also present, the accomplished
banker said writing was something he thought “You need to learn; if you don’t
read enough, you’re not likely going to write well. But reading should not be
about motivational books”. He assured that new ideas were being brought in to
enrich the workshop and make the series more exciting, interesting and better.
He noted that the compendium that came from last year’s edition had been
repackaged to make it more appealing.
This year, poetry seemed to have
featured prominently unlike last year that had prose fiction, especially the
short story sub-genre. Workshop participants read out their poems to delight
the audience. From Tonye Willie-Pepple read ‘I may never pass this way again’,
Bokuru Julius read ‘Portrait of pain’, Michaela MOye, Benedictus Nwachukwu, also
read their poems, all products of the workshop.
The workshop coaches also added spice
to the evening when they, too, read excerpts from their own works. Keith read a
poetic piece from her collection, Dwelling Songs while Forna read prose
piece from To the Memory of Love. Forna, a Sierra Leonean, once lived in Lagos
when she was just two and schooled at Corona School, before she left for the
U.S. She had vague but fond memory of Lagos, and was happy to be back to give
something back.
Forna said she decided to take the
workshop participants on non-fiction writing because of the growing influence
of that genre of writing, and stressed that it was the main thing in Western
writing and U.S., especially for memoirs, childhood writing and other writings
that define society.
Also, workshop team leader, Habila,
enjoined the participants to take their training seriously, as he noted that
there was no university in Nigeria offering degree programme in creative
writing. The Fidelity Bank Creative Writing Workshop, he said, was therefore
one way of getting skills in creative writing in the country, which they should
consider a privilege.
Nigerian writers that attended the
event included Odia Ofeimun, Tade Ipadeola, Toni Kan, who partly organised,
Emman Usman Shehu, Caine Prize for African Writing 2012 winner, Rotimi
Babatunde, Jude Dibia, Lagos ANA chairman, Daggar Tolar, Jumoke Verissimo,
Maxim Uzuato and Deji Toye and several other budding writers.
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